Lectures Lectures start at 11am Members may apply to the Membership Secretary for PRIOR PERMISSION to bring one guest to two meetings per year. Restrictions will apply to numbers using the hall. Guests must be booked in by the Monday prior to the lecture. A fee of £5 is charged for each guest. All society lectures start at 11.00am at the Victoria Hall. 22 August 2024 At Greetham Valley Golf Club at 10.30am (please note the time change) TOBIAS CAPWELL The Scoliotic Knight: Reconstructing the real Richard 111 The discovery of the grave of King Richard III in Leicester raised an army of new and fascinating questions. The severe scoliosis exhibited by the skeleton revealed that the twisted physique of Shakespeare’s ‘Black Legend’ was based in fact. But how could a diminutive person, suffering from a significant spinal condition, have become a skilled practitioner of the knightly fighting arts? How could he have worn armour and fought in three major battles? What would his armour have looked like? How might it have disguised the King’s condition, presenting him as a powerful warrior? In the case of a king whose royal legitimacy was questioned by many people, how were the visual trappings of knightly kingship used to solidify his claim? Here we encounter armour as an expressive art-form, designed to radiate messages, justifications, proof of the wearer’s right to rule as a king- a wielder of divine power on Earth. In 2015 Toby had the unusual honour of serving as one of the two fully armoured horsemen escorting the remains of King Richard III, from the battlefield at Bosworth to their final resting place in Leicester Cathedral. Toby is Curator of Arms and Armour at the Wallace Collection in London and an internationally- acknowledged authority on Medieval and Renaissance weapons. He is the author of numerous books on the subject of arms and armour, including Masterpieces of European Arms and Armour at the Wallace Collection (2011; Apollo Magazine Book of the Year 2012); The Noble Art of the Sword: Fashion and Fencing in Renaissance Europe 1520-1630, ex. cat. (2012); Armour of the English Knight 1400-1450 (2015; Military History Monthly Illustrated Book of the Year 2017); and most recently Arms and Armour of the Medieval Joust (2018). Toby also appears regularly on television, most recently on A Stitch in Time (2018; BBC4); as presenter and armour advisor on Richard III: The New Evidence (2014; C4), and as the writer and presenter of Metalworks: The Knight's Tale (2012; BBC4). Photo: Digital-Designs, Creative Commons Attribution 2.0 followed by the annual summer lunch, which we hope many of you will stay for Click here for further details and for a booking form. 26 September 2024 CHLOE SAYER The Maya Heritage: Ancient and Modern Maya culture The civilisation of the ancient Maya reached its peak between AD 300-900. Across much of present-day Mexico, Belize, Guatemala and Honduras, dozens of great cities have been located, many still buried in remote parts of the jungle. Maya achievements in art and architecture were matched by a knowledge of maths, astrology, calendrics and hieroglyphic writing. Mural paintings, ceramic figurines and intricately carved stone panels provide an insight into the religious rituals, music, warfare, textiles and courtly life of the Maya. Today some six million Maya carry on many of the traditions of their ancestors. Maya Mural Maya Gallery, INAH, National Museum of Anthropology, Mexico City. Photo: Gary Todd Creative Commons Zero, Public Domain Dedication 24 October 2024 SALLY DORMER Medieval Combs: Disentangling Lockdown Locks Combs survive in abundance from the Middle Ages. The majority, carved from bone or wood, were practical objects used to remove unwelcome tangles and lice, and arrange the hair, but others, fashioned from ivory and ornamented with decoration and intricate narratives, performed more elevated roles. Ivory combs decorated with scenes of courtly love and chivalry were exchanged as gifts by wealthy lovers, to beguile or demonstrate commitment, while those carved with sacred themes, played a part in ceremonial rituals involving high-ranking ecclesiastics and secular rulers. Bishops had their hair combed during their investitures, as did priests before they celebrated a Mass, and an emperor’s locks were combed in the course of his coronation. This lecture will explore why well-groomed hair was desirable in the Middle Ages, consider contemporary images of combs in use, and examine medieval combs from church treasuries and museums, some connected with individuals like St Cuthbert (d. 687), and, paradoxically, Emperor Charles the Bald (d. 877)! Double and single-side composite antler combs decorated with ring and dot motifs, Early Middle Ages, found in on the grounds of the Wawel Castle Hill. Photo: Silar Creative Commons Attribution-Share Alike 4.0 The Start of our membership year 2024/25 28 November 2024 IMOGEN CORRIGAN The Glories of Anglo-Saxon England It seems that many peoples over many centuries have wanted to live in and claim England as their own. Why? For some incoming settlers, England can’t have been the most obvious choice as richer pickings might have been had by heading southwards or eastwards. Here we will see not only who came, but also why. We will look at the many great attractions of England, not just the varied and rich pastures and natural wealth beyond belief today, but also - perhaps surprisingly – unparalleled education, justice and hierarchy: it was a good place to settle upon your heirs.